And we’re the closest of chems   Leave a comment


Jaun as Haun

Last night I was listening to the CD accompanying the publication, Kunst zum Hören: Gesamtkunstwerk Expressionismus 1905-1925, by Mathildenhöhe Darmstadt; which in turn accompanies their current exhibition of the same name. I picked up this art book in Basel during the Christmas holidays. At the time I was feeling all enthused about Expressionism after visiting the Beyeler Foundation‘s Wien 1900 Klimt, Schiele und Ihre Zeit exhibition, especially as there was a gorgeous mock up Viennese café in the basement serving goulash and other delights.

Gastronomic considerations aside, the evolution of the Gesamtkunstwerk interests me because Herman Broch identifies Ulysses as having the qualities of a GKW in his 1932 lecture, James Joyce und die Gegenwart (JJ and the Present Day; The Reception of Joyce in Europe, 32). Broch and Joyce remained in contact as Joyce wrote FW, with Broch being the first Jew that Joyce helped to escape Nazi-occupied Austria in 1938 (33).

I’d like to find out more about how/ if Joyce was influenced by the sound poetry associated with the expressionist and surrealist movements. The Kunst zum Hören CD starts with a poem by Egon Schiele, Ein Selbstbild (a self-portrait; 1910). A title that sounds right up Joyce’s street.

Please let me know if you’re aware of any references. Thanks!

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: