Sir Tristram, violer d’amores, fr’over the short sea   Leave a comment


(1.1.3.4-1.1.18.18)

Curious to see the order in which the “end members” of Joyce’s assemblage of characters are introduced in the first pages of FW.

The riverrun, past Eve and Adam’s to Howth Castle (3.1-3)

Sir Tristram’s re-arrival  (3.4)

Jhem or Shen (3.13)

The fall (3.15-21)

The park (3.22)

Iseut (4.14)

Finnegan, of the stuttering Head (4.18)

HCE – Haroun Childeric Eggberth (4.32) (–> Hush! Caution! Echoland! (13.5)

Mistress Kathe’s “museyroom tour guided by the deixic relation “This is that/ That is this” (8.9 – 10.23): a relational unity (Jackson, 1983; quoted in Ingold, Culture, Nature, Environment 50).

A chronological chiasmus: 1132 A.D; 566 A.D. (Silent) 566 A.D.; 1132 A.D. (13.34-14.15).

Jute and Mutt (and the dramatic form; 16.10-18.16)

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

Follow

Get every new post delivered to your Inbox.

%d bloggers like this: